Thank you for your interest in Open Inquiry Archive. If you would like to send feedback or a suggestion, please contact one of the editors listed below. If you would like to explore submitting a paper for possible publication, please read our Submission Guidelines and/or please contact one of the editors listed below. If you wish to review for us, submit inquires to our REVIEWS editors. (Click here for details.) Thanks.
Sandra Cheng, Ph.D., editor
Sandra Cheng is Assistant Professor of Art History at the New York City College of Technology. Sandra specializes in Italian Renaissance and Baroque art. Her current research examines the production and reception of early modern caricature. Her secondary fields of interest include the history of photography and contemporary art.
Contact her here.
Kimberlee A. Cloutier-Blazzard, Ph.D., founding editor
Kimberlee taught Art History at Boston area colleges for fifteen years, covering Islamic Arts, Buddhist World Art, Arts of China and Japan, Art of the Italian Renaissance, as well as surveys of Western art. She is the current development associate, and former 2012 site administrator, at the Sargent House Museum. She works as a freelance writer, editor, translator and project manager. She has published across disciplines and historical periods, in outlets online and academic. She is currently co-authoring two books (one on Deformity in Baroque Art, the other on Comic Portraiture in Early Modern Art) and contributing to a third (Buried Treasures: Locating American Art Outside of the Predictable Art Museums). Open Inquiry Archive is her latest online venture.
Benjamin Harvey, Ph.D.
Benjamin Harvey is Associate Professor in Art History at Mississippi State University. Benjamin received his graduate degrees in Art History from the University of Birmingham, UK, and UNC-Chapel Hill. His research focuses on word and image issues, especially as they pertain to the art and literature of nineteenth-century France and early twentieth-century Britain. Ben’s work has appeared in numerous venues, including publications by Cornell University Press, Edinburgh University Press, and Palgrave MacMillan. He is currently editing two collections: one of Virginia Woolf’s essays on visual culture, and the other of Roger Fry’s writings on Paul Cézanne. He has interests in interdisciplinary approaches to the humanities and a commitment to supporting web-based, open-access art history projects. Contact him here.
Kirstin Ringelberg, Ph.D.
Kirstin Ringelberg is an Associate Professor and Coordinator of the Art History Program at Elon University. Kirstin works on the intersections of identity and historiography in modern and contemporary art history and visual culture, usually that taking place in the United States, France, and Japan. She has authored a book (Redefining Gender in American Impressionist Studio Paintings: Work Place/Domestic Space, Ashgate, 2010) and some articles (for example “The Faked Pain of the Artist” in Representations of Pain” in Art & Visual Culture, ed. James Elkins & Maria Pia di Bella, Routledge, 2012; and “’This Art’s Kind of a Girly Thing’: Art, Status, and Gender on The Sopranos and Northern Exposure” in Considering David Chase, ed., Thomas Fahy, McFarland & Company, 2007). She can be reached here.
Editorial Advisory Board
Adrian R. Duran, Ph.D.
Adrian R. Duran is currently Assistant Professor of Art History at the University of Nebraska at Omaha, where he teaches Modern and Contemporary Art, Theory, and Criticism. He holds a BA from the University of Notre Dame and an MA and Ph.D. from the University of Delaware. Duran is a specialist in Italian Modernism, with side interests in contemporary photography and music history. His book, Painting Politics and the New Front of Cold War Italy, is forthcoming from Ashgate in early 2014. Contact him here.
Andrew Graciano, Ph.D.
Andrew Graciano is Associate Professor of Art History, and Associate Chair and Director of Graduate Studies in the Art Department at the University of South Carolina, Columbia. He is particularly interested in the relationships among art, science, economics and politics in the Age of Enlightenment in Europe. For this reason, the scope of his research goes beyond that of traditional art history and incorporates other histories, including especially those of medicine and natural philosophy (science in its broadest sense). Andrew has many scholarly publications, and is currently at the beginning stages of assembling an edited volume devoted to the subject of artists’ solo shows and other non-academic, unofficial exhibitions of art in the 18th and 19th centuries, tentatively called Alternative Venues. Contact him here.
Robin O’Bryan, Ph.D.
Robin O’Bryan serves as adjunct faculty of art history at Lebanon Valley College in Pennsylvania. She earned her B.A. in Art History from the University of Maryland in Brussels, her M.A. at San Diego State University, and her Ph.D. from the University of Virginia. Her research focus is on dwarfs and witches in Italian Renaissance art, and East-West exchange in the Middle Ages. She has published in academic journals and is currently working on a book on dwarfs in Italian Renaissance art and culture. Contact her here.
[updated July 1, 2014]